After being bounced from Ticketmaster queues in at least seven different cities, I inexplicably managed to walk away with floor seats for Adele’s Live 2016 tour stop in Montréal. Nearly a full year later, my wife and I sat with 32,000 of our closest friends at Centre Bell, unable to avert our gaze from the floor-to-ceiling hologram of the singer’s closed eyes that, as we correctly presumed, would open at showtime.
When the chanteuse from Tottenham eventually appeared in silhouette form behind the sheer drape that adorned the stage to the opening notes of her indestructible single “Hello”, the roar of the audience permeated every corner of the venue.
Adele had, in every sense of the word, arrived.
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